Runs an advertisement production company, while also being active as a writer and interviewer in the fields of music, cinema and dance. He is the director of “LAND FES,” an event revolving around improvised sessions with dancers and musicians while wandering through the streets, and is involved in the planning and implementation of workshops and other events for handicapped children.
Curator, associated professor at the Tokyo University of The Arts. Received her BA in Literature from Keio University, and her MA in Museum Studies from Leicester University. Has been involved in the organization of exhibitions and educational programs as a curator for the MitakaCity Arts Foundation(1994-2002) and Mori Art Museum (2003-2018). Exhibitions she curated include ”Odani Motohiko: Phantom Limb,” “Go-Betweens: The World Seen through Children,” “Dinh Q. Lé: Memory for Tomorrow,” and “Roppongi Crossing 2016: My Body, Your Voice.”
Theater journalist. Her articles on various forms of performing arts in Japan and abroad, including drama, dance, musical, and classical performing arts, have been published in such general magazines as InRed and CREA, theater journals like act guide, and online media such as TJAPAN and otocoto. Previous posts include member of the Tokyo Metropolitan Theater’s planning and management committee, and judge at the Agency for Cultural Affairs’ National Arts Festival. Various articles (in Japanese and English) that appeared in The Japan Times can be found here: https://natsumedate.at.webry.info/
Nobuaki Doi (1981, Tokyo) has worked as a curator, researcher, and critic in the field of animation. Since 2015, he has been working as Festival Director for New Chitose Airport International Animation Festival, the only animation festival held inside a terminal building of an airport. He founded a distribution company New Deer and published two books on animation: Personal Harmony: Yuri Norstein and the Aesthetic of Contemporary Animation (Film Art Sha, 2016) and Introduction to the Animation in the 21st Century. (Film Art Sha, 2017).
HIROSHI EGAITSU is a DJ, writer and lecturer who works both in Tokyo and Koyo. He is one of the pioneers of Tokyo DJs emerged in 1990’s and has been lecturing at Kyoto Seika University and Tokyo University of the Arts. He has written essays inc. ” Art As Punk” for Robert Combas retrospective at Musée d’art contemporain de Lyon(goo.gl/z5RD62 ), articles inc.“The Birth of Hip Hop in Japan” as such (goo.gl/66gQMx ), translated a book“ Sound Art” ( Alan Licht ). His forthcoming book is “Tokyo Bronx Hip Hop” about Japanese rap music.
After being involved in the start-up of an independent magazine, he has been writing, not only as a film critic, but in many fields of culture including music, art, design, architecture and food. He has also been translating books from English and Japanese (vice versa), which includes works by Douglas Coupland, Juno Diaz and Paulo Coelho. His present activities include catering under the name food+things(http://kenichieguchi.com). He is also the co-founder of the film website Outside In Tokyo(http://www.outsideintokyo.jp).