Graduated from Keio University, specialized in French literature. Critic of art and music, painter, graphic designer & art consultant. One of the members of ULYSSES. He is the author of “In Case Of Suzanne Lafont ” (1999), and supervised “T.Rex File” (2005), “Friction The Book” (2007), “Acid Folk” (2008) and many other books. He was currently assisting to re-publish Andy Warhol / Gerard Malanga’s “Screen Tests / A Diary” and writing a long study on “Screen Tests”.
Theater director. Artistic director for Theatre Company ARICA since 2001. Directed the Japan premiere of György Ligeti’s opera “Le Grand Macabre” at the New National Theatre in 2009. Is also a part-time lecturer at Tama Art University.
Art writer. Was an editor in charge of art for the cultural information magazine WEEKLY PIA from 1991 until ’97. Presently writes for publications such as SPUR and colocal. Has been conducting interviews with artists including Takehito Koganezawa and Taro Izumi, and contributing articles on such projects as the Echigo-Tsumari Art Triennale. Also writes movie reviews, and is involved as a team member in “Meguriai JAXA,” a screening event of archival satellite observation images of the Japan Aerospace Exploration Agency (JAXA) edited into non-staged movies.
Researcher in the field of dance. Her main area of investigation is contemporary dance since the 2000s. Continuously engages also in research focusing on the organization and application of dance archives. Studied in France on a scholarship from the French government in 2015-2016, and received her master’s degree (science of art) from the Université Paris VIII. Has been involved in the productionof numerous dance performances and festivals, including Mikiko Kawamura’s performance of ”La fleur éclôten enfer” in Paris. Member of the jury in “Dance-Ga-Mitai! Newcomer Series Vol.16.” Is presently enrolled in a doctoral course at Waseda University, Graduate School of Letters, Arts and Sciences, and a Research Fellow of the Japan Society for the Promotion of Science (DC1).