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Shuta Hasunuma蓮沼執太
Shuta Hasunuma

Born 1983 in Tokyo. Next to performing live with his own “Shuta Hasunuma Philharmonic Orchestra” in Japan and abroad, his diverse activities include contributing soundtracks to stage productionsand movies, and producing and creating music that is mainly based on environmental and electronic sounds. In recent years he has been applying the methods of musical composition to various media such as video, sound, sculpture and installation, the results of which he has been showcasing at domestic and international exhibitions and projects. Recent projects include the album “ANTHROPOCENE” (Shuta Hasunuma Philharmonic Orchestra, 2018), and the exhibitions “Compositions” (Pioneer Works, New York, 2018) and “ ~  ing”(Shiseido Gallery, Tokyo, 2018). shutahasunuma.com

Naohiko Hino日埜直彦
Naohiko Hino

Born 1971 in Ibaraki. Architect. Graduated from department of Architectural Engineering of the School of Engineering, Osaka University. Principal of Hino Architects since 2002. Works include a viewing room for Gallery Koyanagi, F.I.L., and exhibition space design for the Yokohama Triennale 2014. Publications include Hakunetsu Kogi – Kore kara no Nihon ni toshi keikaku ga hitsuyo desu ka (co-author, Gakugei Shuppansha, 2014), Arata Isozaki Interviews (co-author, LIXIL Publishing, 2014), and Real Urbanism (co-author, Architectura & Natura, 2018). Directed and supervised the ”Struggling Cities” traveling exhibition.

Hiroyuki Horihata

Fashion brand matohu designer  Horihata founded a fashion brand matohu with his partner Sekiguchi since 2005. He has have been making the case for the inclusion of Japanese aesthetics in contemporary fashion.

Narushi Hosoda細田成嗣
Narushi Hosoda

Writer and music critic, born 1989. After completing Atsushi Sasaki’s critic training program Gips, he commenced his activities as a writer in 2013, and has since contributed to publications including ele-king, JazzTokyo, Jazz The New Chapterand Eureka. Essays include “New wave of improvised music – a disk guide for first encounters or initial thoughts” and “Towards the inevitable ’non-being of sound’ – The concrete and real music of Asian Meeting Festival.” Since May 2018, he has been hosting the “Explorations in post-improvisation” event series at M’s in Kokubunji.

Hiromichi Hosoma細馬宏通
Hiromichi Hosoma

Born in Hyogo Prefecture in 1960, Hiromichi Hosoma is a professor at the Faculty of Letters, Arts and Sciences at Waseda University. His research into everyday voice and body movements is combined with an interest in audiovisual culture. He has authored several books, including “Idatenbanashi” (“Idaten Stories”), “Kyo no Ama-chan kara” (“From Today’s ‘Ama-chan’”), both published by Kawade Shobo; “Elan Nyumon” (“Introduction to Elan”) by Hitsuji Shobo; “Futatsu no Kono Sekai no Katasumi ni” (“Two ‘In This Corner of the World’s”), “Ehagaki no Jidai” (“The Age of Postcards”), “Asakusa Junikai” (“Asakusa Twelve-stories”), all by Seidosha; “Kaigo suru karada” (“The Caring Body”) by Igaku-Shoin; “Uta no shikumi” (“How Songs Work”) by Pia; “Mickey wa naze kuchibue wo fukuka” (“Why Does Mickey Whistle?”) by Shincho Sensho; and “Ehagaki no naka no Hikone” (“Hikone in Postcards”).

Yutaro Iijima飯島雄太郎
Yutaro Iijima

Born in 1987, Yutaro Iijima is a German-to-Japanese literary translator. Having previously worked for a publisher, he is currently a Ph.D. student at Kyoto University’s Graduate School of Letters. His translations include Thomas Bernhard’s Amras (co-translated with Motoi Hatsumi, published by Kawade Shobo).