■Dance critic and a director of Japan Dance Plug Co. Ltd.
■Contribution:”Monthly BRAVO（my own serial page）”,”DANCE MAGAZINE”,”ASAHI SHIMBUN(Newspaper)”
■Book list：”PERFECT GUIDE BOOK of Contemporary Dance”,”Dance Bible” and more.
■Festival Advisor, Jury of Competition：”Dance New Air”,”Fukuoka Dance Fringe Festival”,”Hokkaido Dance Project”,”Odoru AKITA”,”Dancers’ Nest”,”El Sur Foundation ”,”Tokyo Metropolitan Theater ”,”Seoul International Choreograph Festival”,”New Dance for Asia（Seoul） & Asian Solo & Duo Challenge for MASDANZA”
Assistant Curator at The Ueno Royal Museum. Has been in charge of the exhibitions “Art of our time” (2008), “Masterpieces of Arts and Crafts in the Prince Arisugawa and Prince Takamatsu Families” (2013), “Cutting-Edge Japanese Video Works: The Daisuke Miyatsu Collection” (2015), “From Edo to Tokyo: The Ueno Royal Museum Ukiyo-e Collection (2015-2016), “KANEUJI Teppei: Symbols Are Not Symbols © MATSUDA Aoko” (2017), “Utagawa Hiroshige’s ‘Thirty-six Views of Mt. Fuji’ and ukiyo-e in the last days of the Tokugawa Shogunate and the Meiji Era” (2017), and “Sosaku-hanga and Shin-hanga: Japanese Modern Prints from The Ueno Royal Museum Collection“ (2018) among others.
Music writer, radio DJ and university lecturer. Studied composing and musicology at Tokyo College of Music, and is currently involved particularly with classical music, contemporary music, jazz, and film music. He writes for a wide range of publications, including Intoxicate, Latina, Record Geijutsu, Bravo, and Kyoiku Ongaku, and has contributed to Jazz The New Chapter 5, given lectures at the New Japan Philharmonic’s regular Ruby concerts, written music commentary for major orchestras in Tokyo, and has a weekly 4-hour live show on the Ottava internet radio station.
Photo: Taira Tairadate
Architectural historian and critic, was born in 1967 in Paris. Professor at Tohoku University. Commissioner for Japan pavilion at the Venice Biennale of architecture 2008. Artistic director of Aichi Triennale 2013 Publications include “Contemporary Japanese architects : Profiles in design”, “Architecture and Music” etc.
Dance critic. Having studied at the Department of Performance Studies, Graduate School, New York University, he is currently Professor Emeritus, Keio University. His main fields of expertise are rituals, shamanism and performing arts in Asia, and new forms of innovative expressions after post-modern dance. He has been a judge at the Toyota Choreography Award, Asahi Performing Arts Award, Cairo International Experimental Theater Festival, and the Wifi Body Festival (Manila) among others. Publications include Sexuality of Transvestism, Shintai no rinkai-ten, Danso-ron, A Filmology of the Circus and Polysexual Love.
Born in Tokyo in 1955. Publisher and chief editor of culture web magazine “Realkyoto”. A guest researcher, Academic Research Center, Kyoto University of Art and Design. Senior Researcher of Kyoto Performing Arts Center, Kyoto University of Art and Design. From 2000 to 2016, publisher and chief editor of culture web magazine “Realtokyo”. In 2002 he published “One Hundred Years of Idiocy,” a photo book that summarized human idiocy in the 20th century and launched a bilingual contemporary art magazine “ART iT” in 2003. He became General Producer of performing arts section, Aichi Triennale 2013. He wrote and published a photo book “One Hundred Years of Lunacy” in 2014. In 2018 he wrote and published “What Is Contemporary Art?”